Sunday, April 29, 2007

Lost in MySpace

MySpace La Onda Tropical Latin Music Discover New Bands
Our own MySpace page is doing quite well, but essentially MySpace Music exists to find new bands. When every kid that plays three guitar chords has its own page, discovering good music between the general sludge can be challenging. So the selection below is not representative at all - just remarkable findings for you to enjoy.

Maui y Los Sirenidos called their disc Flamenco Sumergido - and that's what it sounds like: jazzpop drowned in Andalusian influences. Check out the very excentric front lady Maui in the psychedelic video for "No Pensar En Nada".

They could've fitted well in our Electronic Week: Sidestepper makes cultures clash with their tropically spiced drum&bass and club music. Lead man Richard Blair picks his guest vocals very well, they give all songs an authentic bolero feel. Aterciopelados vocalist Andrea Echeverri joins in on one song too, apparently.

Jose Conde y Ola Fresca updates salsa and son with a funky and soulful touch. He defines his latest album as "musical ajiaco" (which is a famous Cuban stew with many ingredients mashed up). Tasty!

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Thursday, April 26, 2007

Reggaeton/Hip Hop: Calle 13 - Residente o Visitante

Calle 13 - Residente o Visitante - Alternative Reggaeton Hip Hop Hiphop Latin Urban Humor Satire Lyrics Intelligent Beats Tango Del Pecado Orishas Tego Calderon Vicentico Mala Rodriguez
Their self-titled debut launched them as one of the smartest and most innovative acts in reggaeton. Merely 14 months later, Calle 13 is back with Residente o Visitante, the Puertorican rappers' sophomore album. We told you already how eagerly anticipated the release was, and now we can safely say: it was worth it.

Rapper Residente (René Perez) has found his style in clever, satirical lyrics, and they're the first thing you'll notice on the album. He will make you laugh with his witty wordplay, and even if you don't understand Spanish you must feel the playfulness of his texts. DJ Visitante (Eduardo Cabra) still provides the most innovative beats in latin urban music, experimenting with sounds from all across Latin America ("Tango del Pecado", "La Cumbia de los Aburridos"). But on this album, Calle 13 sounds more mature - sometimes they'll even move you ("Llegale a mi Guarida", "Beso de Desayuno") or incite you to start thinking ("Pal Norte", "Algo Con-Sentido", "La Era de la Copiaera").

Residente o Visitante has an impressive guest list: Tego Calderón (our other favorite reggaetonero) joins in on "Sin Exagerar", clearly having the time of his life while Residente makes fun of hiphop-style bragging:

Tengo cuatrocientos carros, cuatrocientas motoras
Un caballo que vuela a cien milas por hora
Tengo comprada a todas las emisoras
Y pa' lavar el dinero, treinta lavadoras
Yo consigo lo que sea
Mujeres con dos, tres, cuatro, cinco tetas

On "Llegale a mi Guarida", the characterful voice of Vincentico (former lead singer of ska band Los Fabulosos Cadillacs) gives the song a serene feel, like an indigenous ritual dance. A greasy rock riff spices things up a little. And "Pal Norte" features the distinctly Cuban voices of Orishas. It's a socially conscious song on migration, a key theme on the album - the title, Residente o Visitante, not only refers to the two half-brothers' pseudonyms, but also to the status of latino immigrants in the USA).

Language is another key issue on the album: you'll find both poetical ballads and shocking profanities. The "Intro", for example, starts by saying "We promise you no bad words on this record", followed by an endless litany of Spanish swearing, performed by a church choir. Excuse me if I find this hilarious - kinda reminds me of what Molotov used to do.
On the other hand, in "Mala Suerte con el 13", misplaced profanity gives a rancid taste to what could have been an intimate hiphop song with a great guest rapera (La Mala Rodriguez).
Both the religious and the language themes come back in bomb single "Tango del Pecado", but you've already read all about that song here ;)

About halfway through the album, Calle 13 changes the pace for some more mature and serious songs: aforementioned "Llegale a mi Guarida" is calm and hypnotizing, and on "Beso de Desayuno" Residente proves he can write a beautiful ballad with imaginative lyrics. Visitante puts a wicked bossa nova/drum 'n bass sample under it - and it magically works.
More wicked samples, courtesy of Visitante and Oscar-winning producer Gustavo Santaolalla: "Algo Con-Sentido" is a 50's ballad disguised as hiphop, and "La Era De La Copiaera" sounds like a video game gone crazy. Both songs share the same subject: there's too much copying and fakery in latin urban music these days. When Residente -literally gone mad- starts shooting everybody in sight, "Con-Sentido" ends with "Don't worry, this is fake - just like most reggaetoneros. OK?".

The absurdity does get irritating sometimes: "Uiyi Guaye" has a horrible chorus (though beatwise this is still prime material) and "El Avión Se Cae" is a bad B-side, at the most. But as a whole Residente o Visitante is even more impressive as their debut: Calle 13 have matured. Visitante confirms as a key innovator in latin urban music, Residente proves his splendid lyrical skill and sharp sense of humor. You'll discover some real gems ("Tango del Pecado", "Sin Exagerar", "Pal Norte", "La Crema"), but really the album needs to be savored as a whole to appreciate all the irony and deeper meanings. I wish Calle 13 a great future, and a dozen more Latin Grammy's.

Calle 13 ft. Orishas - Pal Norte mp3 buy@iTunes buy@Amazon
Calle 13 ft. Tego Calderon - Sin Exagerar mp3 buy@iTunes buy@Amazon

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Sunday, April 22, 2007

Semana Electronica Conclusion

We conclude our little electronic special with the announcement of the contest winner. The Luz Mob CD goes to:

Joris from Tilburg, The Netherlands

Thanks to everybody who (so massively) participated, and better luck next time.

I hope you enjoyed reading La Onda this week, we've put quite some time into it, and the results were overwhelming (all visitor records broken). We'll probably do something similar in the future!

(However, we were a little disappointed to see nobody commented on our posts this week. But you can make that up by showering us with love in the comments to this post! ;))

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Friday, April 20, 2007

Electronic: Gotan Project - Lunatico

Gotan Project Lunatico Diferente Notas Argentina Tango Electronic Downtempo Latin World Lounge Club Dance
A new century, a new life for tango. That's what Philippe Cohen Solal (France), Eduardo Makaroff (Argentina) and Christoph H. Müller (Switzerland) must have thought when they founded Gotan Project ('Gotan' being Rioplatense argot for 'tango') in 1999. Mixing traditional, Astor Piazolla-influenced tango with smooth club sounds and basslines, in 2001 they came up with the startling debut La Revancha Del Tango that would give them world wide fame. Followers like Gustavo Santaolalla's Bajofondo Tango Club arose, the "Electrotango" movement was born.

In 2006, Gotan Project's second album Lunático appeared: maintaining the sexy electronic sound of La Revancha, it digs deep into the history of Argentinean music. A perfect example of this, is "Notas", a chilled out song that tells the history of el gaucho - the Argentinean cowboy - and tango, to the sound of the bandoneon. "Diferente" is more club-oriented: a pulsating bassline and wistful bandoneon come together in a feverish dancefloor dream (video below). "La Vigüela", with its looped guitar, (again) bandoneon and vocoder sound is also fairly danceable: not in a discotheque, but late at night in a stylish Buenos Aires afterlounge.

Lunático didn't win BBC's 'Club Global' Award 2007 for nothing: it's an inspiring, beautiful, and above all higly addictive album!

Gotan Project - La Vigüela mp3 buy@iTunes buy@Amazon

Gotan Project - Diferente:

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Thursday, April 19, 2007

Electronic: Moenia - Solar

Moenia Solar Alternative Latin Electronic Rock Electro Pop Elektro Eighties 80s Electronico Electronica Lo Que Tu Digas
No, it hasn't been easy for Moenia. Mexico just wasn't ready for experimental synthpop in 1992. They could only emerge from the underground electronic scene in 1997, with the nationwide success of single "No Puedo Estar Sin Ti". Ten years later Moenia is Latin America's most successful electronic band, with 10 remarkable albums in their catalog, including the first latin 'remix album' (Moenia Mixes), and a critically acclaimed tribute album to latino rock of the 80's and 90's (Stereo Hits).

Although inspired by European electro pioneers like Kraftwerk, their music is often compared to Depeche Mode and New Order. More so on their latest work, Solar: the occasional greasy guitar riff confirms the 80's electro-rock comparison. It's a dark album, not easily accessible, but very rewarding if you appreciate the genre. Lead vocalist Alfonso Pichardo recites the almost poetical lyrics with his morbid, somber voice, accompanied by bizarre synth sounds. Though essentialy, tracks like "Lo Que Tu Digas" and "Me Equivoqué" are structured like a solid pop song - verse, bridge, chorus, repeat, climax. Which make them sound hopeful, even optimistic, despite the gloomy music.

Solar lasts only 45 minutes, a wise decision: long enough to make an impact, and brief enough to keep our mood up. On our Best of 2007 list? I think so!

Moenia - Lo Que Tu Digas mp3 buy@iTunes buy@Amazon


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Wednesday, April 18, 2007

Electronic: Buscemi - Retro Nuevo

Buscemi -Retro Nuevo - Latin Indian Balkan World Jazz Electronic Lounge Chill Out Music
Here in Belgium we have all the luck: two true masters of latin lounge music regularly provide us with their much-needed chillout tunes. Sven Van Hees and Buscemi have both played sets all over the world (including latin america), and since their first releases over ten years ago little changed in their style, or in their success. We're gonna review Buscemi's most recent record (which is all over the radio here), so you'll have to check out Sven Van Hees on your own.

Retro Nuevo is Buscemi's fifth album, and his most international to date. When Camino Real (2003) and Our Girl In Havana (2001) focused mostly on Latin America, his musical endeavors roam the whole world now. We hear soft female vocals in English, Spanish ("Retro Nuevo"), Arab, Hindi and Portuguese, but as usual loungy music and exotic samples form the foreground. Take "Não Falo Português" (I Don't Speak Portuguese): an irresistable 'patati-patata' chorus over samba percussion and weird electro sounds.

As with most lounge fusion, this album is best enjoyed at some beach, with a cocktail, watching the sunset. Opening track "Lost" would be the perfect soundtrack, and as Isabelle Antena puts it in "Nothing To Worry About":

Don't stress, it ruins everything, even happiness

Electronic albums often suffer from the 'originality syndrome': songs can sound very much alike. Retro Nuevo however has some interesting sidesteps: "Sahib Balkan" mixes Arab desert sounds and chants with balkan horns à la Beirut. "Jazz Jumper" lets Fay Lovsky sing along a skipping jazz piano like a true muse. And mind-blowing dance track "Bollywood Swing King" borrows its dry techno beats from Underworld, and its irresistable violins from an Indian movie soundtrack. Check out the video below.

An impressive journey through sounds and samples. After ten years and five albums, I'm still not tired of Dirk Swartenbroekx (Buscemi's not-so-exotic real name) and his tropical beats!

Buscemi ft. Fay Lovsky - Não Falo Portugues mp3 buy@iTunes buy@Amazon

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Tuesday, April 17, 2007

Electronic: Federico Aubele - Panamericana

Federico Aubele - Panamericana - Argentina Chill Out Lounge Electronic Music Tango Bolero Dub Eighteenth 18th Street Lounge Thievery Corporation
Argentinian songwriter Federico Aubele was discovered by Thievery Corporation, leaders of the Eighteenth Street Lounge label, when Aubele boldly gave them his demo at a party. An impressive debut (Gran Hotel Buenos Aires) and countless appearances on chill-out compilations and movie soundtracks followed soon. Aubele traveled the whole world, and being a constant foreigner "made him long for Buenos Aires and the Americas as a whole", giving birth to his equally impressive follow-up Panamericana.

The Panamericana is the 25,000 km long highway system connecting all North and South American countries. In that respect, the album's title is well-chosen: Aubele unites influences from all over the continent (tango, bolero, dub, mariachi,...) in a lounge/triphop setting. His melancholic, multi-layered songs remind me very much of compatriots Gotan Project, with the atmosphere similar to that of the self-titled Gorillaz debut. A unique blend, in all aspects. The album features a lot of likeminded guests -Amparanoia, Calexico, Los Fabulosos Cadillacs- and is produced by, of course, Eric Hilton of Thievery Corporation.

The vocals on Panamericana attract a lot of attention: smooth warm echoes sing longingly about escapism, lost love, and old emotional songs. "Lluvia", carried by a great guitar melody and sung by the angel voice of Natalie Clavier, has beautiful lyrics about a rainy day. The intimate "Pena" starts with a cracking old record, Aubeles acoustic guitar and soft conga percussion. "Este Momento" features Colombian vocalist Vernie Varela, a great 'lalala' chorus and cool sound effects. Sounds great, right? My only point of criticism is that all songs are very similar, but who would notice that when you're chilling out in the sun? Panamericana hits the stores in May!

Federico Aubele - Lluvia mp3

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