Showing posts with label colombia. Show all posts
Showing posts with label colombia. Show all posts

Sunday, October 12, 2008

Lost in MySpace


Special edition with mp3s! Just because I felt like it ;)

Many were surprised by the nomination of Colombian singer-songwriter Monica Giraldo for Best Newcomer in the upcoming Latin Grammys, but her soft, jazzy latin pop deserves everyone's attention. Listen to "Por Verte Llegar" and get carried away by the purity of her voice and the delicacy of her music.

Monica Giraldo - Por Verte Llegar mp3 buy@iTunes buy@Amazon

Mexican hipster netlabel Poni Republic embraced the acoustic indie pop duo Jóvenes y Sexys from Venezuela. "El Reloj" is a rhytmic pop song characterized by melancholic vocals and soft acoustic guitar, a little gem of a song that promises a lot for the future. Jóvenes y Sexys have only released one EP (Bruno) so far, but you can download it totally gratis at the Poni Republic blog!

Jóvenes y Sexys - El Reloj mp3 myspace

When three different promotors mention the same artist, you can bet something's buzzing. Alonso Brito is a Miami Cuban singer-songwriter with an instantly recognizable deep bass voice. His mixture of Caetano Veloso, salsa and sixties rock still has to grow on me, but it has potential. Check out "Bandolera" from the Santo Bueno EP.

Alonso Brito - Bandolera mp3 buy@iTunes myspace

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Friday, August 15, 2008

Festival Report: Antilliaanse Feesten Day 2

Saturday, August 9th
Antilliaanse Feesten Hoogstraten Belgium Caribbean Music Festival Latin Salsa Soukous Merengue Reggaeton Saturday Concert Festival Report review
Click above for more pictures. Some are courtesy of tropicalidad.be, you'll recognize them by their sharpness and beautiful composition ;). Dutch version of this article here.

All ready for a second night of caribbean fiesta, I could handle the few raindrops and the dark sky. The queue at the entrance was something else however - the crowd was overwhelming, even on the festival grounds. So I had to skip Amarfis y la Banda de Attake (merengue from the Dominican Republic and frequently featured on this blog), a bummer. Yet another cancellation - Puchy y su Coco Band mysteriously disappeared after they took a bus in Madrid - was the final blow for the festival line-up: on the main stage every band was either a replacement, cancelled or not my taste.

So the night started off in disappointment, but as soon as Gente D'Zona came on stage, it was replaced by awe and joy. The Cuban reggaeton duo only has a small repertoire of mostly similar songs to rely on, but the more exotic and less agressive cubaton had a strong appeal on the salsa-loving audience. A fanatic horde of Cuban girls was lining the front rows and singing along to every word - if you haven't guessed, Gente D'Zona is immensely popular in Cuba. The rest of the tent enjoyed the view of all the youngsters climbing the stage to show off their moves and their bodies - musically there wasn't much to experience anyway.

Afterwards my company and me were listening with a half ear to the sugarsweet bachata pop of Monchy y Alexandra (website) while sipping a cocktail and enjoying the atmosphere. It was raining a little, but nobody seemed to bother: the crowd of 30,000 people from all over the world was here for dancing, singing along, drinking, having fun. The Antilliaanse Feesten are definitely a very laid back festival with an almost tangible positive vibe (if you go next year, be sure to stay camping to be fully immersed!).

Then came the second chance for Son de Cali (myspace). Word of mouth about yesterdays performance filled the Joker tent to capacity - no room for salsa dancing this time, but the Colombian band was in much better shape now they got to know the audience. A phenomenal drummer and percussionist gave the salsa a thriving rhythm not found on their albums - while speedy piano work and great singing improvs fired up the audience.

Headliners Wisin y Yandel had to cancel at the last minute (see previous post), but I was pleased to see Angel y Khriz (website) replace them - I like their softer, more exotic Dominican reggaeton better than Wisin y Yandel's fairly unoriginal bling-bling. But alas the show was a complete disappointment: no live instruments, both rappers just shouting over a bassline (mostly off key as well), and uninspired versions of their hit songs "Ven Bailalo" and "De Lao A Lao". The audience seemed to have fun at least - though many came for Wisin y Yandel and expected a bigger show.

Off to the Joker stage for an unexpected discovery. Djunny Claude is from the Democratic Republic of Congo, and as such no material for this latino blog ;) But in the wee hours of the Hoogstraten night, he managed to get our tired legs to jump and dance for more than an hour to his contageous soukous music. The show was crazy, disorganized but wonderfully charming - at one moment the whole band dropped on the floor, after which for some reason Djunny started a dancing contest between the Congolese dancers on stage. Probably to show us white people ways of moving our body that we will never grasp. One to watch if you're into world music!

The honors for closing off two days of passionate, border-crossing music were for Carimi (myspace) from Haiti. It was their third time in Hoogstraten, and in this period they seemed to have picked up a lot from US culture. Which might be good for the show, but I came for the lovely, fast-paced compas music from their homeland, not for r&b and hiphop. After a while they did seem to find the right balance, but while they were building an explosive party on the main stage, I was already heading back through the mud to my tent.

This edition of the Antiliaanse Feesten suffered quite a lot from the many cancellations, though many replacements did a very good job. Altogether we had a wonderful weekend of exotic music, and we'll certainly be back in 2009!

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Wednesday, August 13, 2008

Festival Report: Antilliaanse Feesten Day 1

Friday, August 8th
Antilliaanse Feesten Photos Fotos Pictures Report Review Verslag Concert 2008
Click above for more pictures. Some pictures courtesy of tropicalidad.be (usually the sharp ones ;)). Dutch version here.

A beautiful sunset over the Blue Forest in Hoogstraten (on the border between Belgium and Holland) marked the beginning of an exotic night with lots of surprises. The knee-deep mud and the amount of cancellations couldn't ruin the atmosphere at the Antilliaanse Feesten, the biggest Caribbean music festival in Europe: the multicultural crowd was ready to party all night long with dozens of musicians from all over Latin America and the Caribbean.

And the start couldn't be better than with Rocola Bacalao (myspace), an energetic ska band from Ecuador. The nine members jumped around frantically while putting their heart and soul in their trumpets and guitars - which worked very contageous on the crowd at the Cahier Club stage. Their best songs mixed cumbia (and even merengue) with clever lyrics and an incredibly positive attitude - they just wanna have fun. Only when the guitars were cranked up, things got a little too loud and hyperactive for me.

Over at the main stage, Dominican merengue star Chichi Peralta kept us waiting for a while with a strange and totally unsuitable apocalyptic video - not the kind of intro you want for a sexy session of merengue. Chichi himself was hardly behind his percussion set, entertaining the audience while two not very talented youngsters took care of most of the singing. The usually exhilarating merengue was brought routinely, and though Chichi played the crowd quite well he didn't seem to have a lot of fun - maybe he's tired of performing? The multiple power failures didn't help either. Still, the latina girls jumping on stage to show off their dance moves were nice to watch ;)

Meanwhile, Manolito y su Trabuco (myspace) were setting the Joker stage on fire with their Cuban salsa and timba. It always strikes me how Cuban artists seem to have music and rhtyhm in their blood - with great professionalism Manolito and his band spun 15-minute long versions of their timba hits, playing the crowds with accelerations and improvisations. Lots of room for dancing, so all you could do was get carried away. Manolito ended the concert with a whirling "Loco por mi Habana", smiling from behind his piano.

Soca music might not be a focus of this blog, I had to see Machel Montano (website). The self-proclaimed king of soca (and honored with multiple awards at Trinidad & Tobago carnival over the years) has an excellent live reputation, and indeed the show was 2 straight hours of jumping and dancing. Realizing the simplicity of soca music can't carry a show on it's own, and being the pure entertainer he is, Machel brought some variation with r&b and dancehall bits mixed between his own songs. And the audience digged it: 10,000 people jumping and whirling around flags is an impressive sight!

I ended the first night with Son de Cali (myspace) from Colombia, who replaced their compatriotas Grupo Gale. They were visibly tired when they got on stage - and to be honest, starting a concert at 3:45 AM is unearthly late (thanks to accumulated delays - or let's just say, latino spirit). They deserved a second chance - saturday on the Joker stage, and I'll tell you more about that in a few days!

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Tuesday, June 03, 2008

Hip Hop: ChocQuibTown - Somos Pacifico

Choc Quib Town Somos Pacifico Colombia Alternative Hip Hop Latin Music
I first heard of ChocQuibTown through Masala - always first concerning extraordinary worldly beats. The video for "San Antonio" (below) was a great introduction to the habitat of this Colombian hiphop outfit, showing multiracial fun in the streets of San Antonio, a neighborhood in the city of Cali. Contrasting with the very low budget video is the crystal clear sound of the band, with lead singer Gloria 'Goyo' Perea's sultry voice as the cherry on the cake.

ChocQuibTown's debut album Somos Pacifico was produced by the innovative duo Ivan Benavidez (Carlos Vives) and Richard Blair (Sidestepper) - and it has become a jewel. It's latin hiphop exactly how I like it, incorporating the funky sound of the Colombian pacific to create a pure and refreshing sound. The concept is similar to what Orishas does with Cuban folklore or what Andy Palacio did for Garifuna culture: an ode to their home and roots made for a global audience.

The album is very diverse in rhythms, giranting between urban beats (soft dancehall in "No Le Copio"), latin tropicalia (salsa in "Pescao Envenenao", rumba in "Somos Pacifico") and Afro-Colombian traditionals even I never heard of (bambazú, anybody?). The comparison with Tego Calderón's The Underdog is never far away, though ChocQuibTown stays on the less-commercial side of latin urban music, using subtle hiphop grooves rather than deafening reggaeton beats. Most of all ChocQuibTown is funky, sometimes even jazzy (Goyo often made me think of Cuban jazz poet Telmary) like on "Busco Personas".

Top tracks are the aforementioned "San Antionio" and "Pescao Envenenao" featuring Colombia's hottest salsa crew, La 33. The latter is also a great example of the activism and social awareness in Choc Quib Town's lyrics, warning their people about politicans spreading hate and fear. Title track "Somos Pacifico" is heavy on samples and scratching but like no other breathes the exotic atmosphere that characterizes the album.

Somos Pacífico
Estamos unidos
Se une la región
La pinta, la raza
y el don del sabor

Some less convincing tracks are inevitably present on every hiphop album (here it's "Alguien Como Tu" and "Lo Nuevo") but Somos Pacifico is definitely worth your attention if you're up for a pleasant discovery!

ChocQuibTown - Somos Pacifico mp3
ChocQuibTown ft. La 33 - Pescao Envenenao mp3
Album: Somos Pacifico (Rue Bleue/Polan)
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San Antonio

Somos Pacifico

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Tuesday, May 15, 2007

Vallenato/Cumbia: Felipe Pelaez, Renzo Guerrero

To my own suprise I noticed we've never written about the wonderful carribean music called vallenato. It's sun-drenched and joyful afro-latin folk, very popular in its native Colombia. You'll recognize it by the distinct sounds of the accordion, the guacharaca and thumping African drums.
One song that recently caught my attention (though technically more merengue than vallenato) is "Borracha" by Felipe Peláez. Hasty guitar plucking, quick-paced congas and a contagious chorus is all it takes to make this one of the feel-good factors in my summer!

Renzo Guerrero is in a totally different music segment (namely commercial Peruvian cumbia) but his song "Vuelvo A Buscarte" has a very similar vibe. I hear sea, sand and sun in a farily typical tropical-pop song. But the sheer positivism of the song lifts it above the mass:

Vuelvo a buscarte
Para encontrar tu cariño
Y que me vuelvas con un beso
La felicidad

Heart-warming? Nah. Corny? Maybe. Uplifting? Definitely! And admit it: you HAVE to move your feet (or at least gently swing your hips) to songs like these.

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Felipe Pelaez - Borracha mp3
Renzo Guerrero - Vuelvo A Buscarte mp3


Felipe Pelaez - Borracha

Renzo Guerrero - Vuelvo A Buscarte

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Thursday, January 11, 2007

Pop News & Videos


A lot of movement in the latino pop business lately! Here's a roundup of the most important news:

Maybe you haven't noticed, but a lot of worldwide pop idols have latino roots (Jennifer Lopez, Christina Aguilera, Nelly Furtado, Ricky Martin, Enrique Iglesias, and of course Shakira). And while some of them choose to do nothing with their heritage (i.e. Christina), lately the trend seems to be going back to singing in Spanish. Ricky Martin issued an MTV Unplugged album mostly in Spanish last november, even collaborating with less famous (but very talented) latinos like La Mari (of Chambao) and Tommy Torres (video: "Tu Recuerdo"). Ricky's latest song "Pégate" (video) is so reminiscent of his hits back in the 90's, you just have to scream ¡Un Dos Trés!.
The new CD, together with his humanitarian work, even got him an award for Artist of the Year 2006 from the Latin Artists Recording Academy. But looking back at all the good stuff we heard last year, I think that award should have gone to new talent, not to an established star like RIcky...

Another pop icon who's well aware of her roots is Jennifer Lopez. J-Lo, recently elected Most Influential Hispanic by People Magazine, is planning to release an all-Spanish album this year. "Que Hiciste" (video) is the first single. It's not very original, sadly.. she could have done something special for the latinos!

Nelly Furtado has brought us songs in Spanish before (two with Juanes, and one with Calle 13) but apprently now she's working on an album entirely in Spanish. We can only dream of Timbaland producing some reggaeton beats...

Even Beyoncé is marketing herself into the latino audience. Miss Knowles has recorded a Spanish version of her latest single "Irreplaceable". She said she thinks Spanish is sexy, and "Imprescindible" (video) is only the first crossover of many to come. She even talks of recording a song with Shakira, whom she admires for her "great sound and sexy moves".

Shakira herself recently returned a favor for Alejandro Sanz by joining him on his new album (like he did on Fijación Oral in 2005). "Te Lo Agradezco" (video) is a typical Sanz song: a bit too soft and romantic for me, though I always liked his flamenco-style vocal improvisation. Shakira's whispering is quite irresistible, and she looks extraordinarily beautiful in the video (kinda reminds me of mi novia ;))

(Sources: VivirLatino, Latin Gossip, Latin Notes Now)

PS: Writing this post, I promised myself to keep my credibility by not posting any mp3s of these barely orginal, flaccid pop songs. But what the hell: here's Te Lo Agradezco Pero No (removed 06/03).

Alejandro Sanz & Shakira - Te Lo Agradezco Pero No mp3 video buy@iTunes buy@CD Universe

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Saturday, December 30, 2006

Lo Mejor del 2006

(Don't forget to participate in our CD giveaway contest!)

It's been a great year for latin music. Well, at least for me: maintaining this blog allowed me to discover beautiful and special music I'd otherwise not even hear of. And nothing more pleasant than sharing those tracks with you, the faithful reader ;)
You'll notice a slight orientation towards rock music in my top lists, but I tried to include all the major genres covered here. There's about an hour of listening pleasure below, so have fun, and ¡feliz año nuevo!

Albums
Rock: Gustavo Cerati - Ahi Vamos



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2006 saw some heavily anticipated rock releases (Maná, Gustavo Cerati, Enanitos Verdes) and the discovery of many new South American favorites (Los Bunkers, Los Tipitos, Babasonicos), but Cerati all beats them effortlessly with this complicated but oh so powerful album.

Pop
: Los Amigos Invisibles - Superpop Venezuela



review
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A disappointing year for pop music, if you're not into Paulina Rubio or RBD. Los Amigos Invisibles came as a breath of fresh air, in a music industry suffocated by overproduced commercialism.

Salsa
: VA - Los Cocorocos



review
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Salsa is back! Dozens of radio stations converted from reggaeton to salsa this year, and not without reason: new efforts (like Los Cocorocos) gave salsa an image boost, a new energy, and a second youth.

Reggaeton
: Tego Calderón - The Underdog/El Subestimado



review
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buy@CD Universe





While the general vibe of reggaeton was turning negative (big egos, dissing, sexism, the lack of new talent, and heaps of money), Tego Calderón blew away all competition with honest, positive and socially conscious songs. On the same onda: the impressive debut of Calle 13. And while "big names" Daddy Yankee, Don Omar and Hector El Father were fighting (and delivering mediocre songs), Shakira made the reggaeton beat famous again with "Hips Don't Lie".

Other
: Andrés Calamaro - Tinta Roja



review
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The Argentinian rock legend devoted himself to sensitive tango songs this year. Calamaro effortlessly captivated the atmosphere of the forties on Tinta Roja, not an easy album, but a rewarding one. Special mention: Ojos de Brujo, for their unique blend of flamenco and hiphop.

Singles
Rock:
1) Gustavo Cerati - Crimen (original post)

2) Los Tipitos - Campanas En La Noche (original post)

3) Fobia - Dos Corazones (original post)

4) Gustavo Cerati - La Excepción (original post)

5) Los Bunkers - Llueve Sobre La Ciudad (original post)

Just didn't make it: Pereza, Enanitos Verdes, Babasonicos.

Reggaeton:
1) Calle 13 - Atrevete-te (original post)

2) Paulo FG & Roldan - Te Boté (original post)

3) VA - Noche de Entierro (Nuestro Amor) (original post)

Special mention for spreading Latino vibes throughout the world:
Shakira & Wyclef Jean - Sera Sera (Hips Don't Lie Spanish Version) (original post)


Pop: Jarabe de Palo & Jorge Drexler - Que Bueno Que Bueno (original post)

Salsa: Bamboleo - El Zorreo (original post)

Merengue: Grupo Mania & Elvis Crespo - Echate Pa'ca (original post)

Cumbia: Bonka - El Problemón (original post)

Other: Chambao - Pokito a Poko (original post)


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