Lost in MySpace

Special edition with mp3s! Just because I felt like it ;)

Many were surprised by the nomination of Colombian singer-songwriter Monica Giraldo for Best Newcomer in the upcoming Latin Grammys, but her soft, jazzy latin pop deserves everyone's attention. Listen to "Por Verte Llegar" and get carried away by the purity of her voice and the delicacy of her music.

Monica Giraldo - Por Verte Llegar mp3 buy@iTunes buy@Amazon

Mexican hipster netlabel Poni Republic embraced the acoustic indie pop duo Jóvenes y Sexys from Venezuela. "El Reloj" is a rhytmic pop song characterized by melancholic vocals and soft acoustic guitar, a little gem of a song that promises a lot for the future. Jóvenes y Sexys have only released one EP (Bruno) so far, but you can download it totally gratis at the Poni Republic blog!

Jóvenes y Sexys - El Reloj mp3 myspace

When three different promotors mention the same artist, you can bet something's buzzing. Alonso Brito is a Miami Cuban singer-songwriter with an instantly recognizable deep bass voice. His mixture of Caetano Veloso, salsa and sixties rock still has to grow on me, but it has potential. Check out "Bandolera" from the Santo Bueno EP.

Alonso Brito - Bandolera mp3 buy@iTunes myspace

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Festival Report: Antilliaanse Feesten Day 2

Saturday, August 9th

Click above for more pictures. Some are courtesy of tropicalidad.be, you'll recognize them by their sharpness and beautiful composition ;). Dutch version of this article here.

All ready for a second night of caribbean fiesta, I could handle the few raindrops and the dark sky. The queue at the entrance was something else however - the crowd was overwhelming, even on the festival grounds. So I had to skip Amarfis y la Banda de Attake (merengue from the Dominican Republic and frequently featured on this blog), a bummer. Yet another cancellation - Puchy y su Coco Band mysteriously disappeared after they took a bus in Madrid - was the final blow for the festival line-up: on the main stage every band was either a replacement, cancelled or not my taste.

So the night started off in disappointment, but as soon as Gente D'Zona came on stage, it was replaced by awe and joy. The Cuban reggaeton duo only has a small repertoire of mostly similar songs to rely on, but the more exotic and less agressive cubaton had a strong appeal on the salsa-loving audience. A fanatic horde of Cuban girls was lining the front rows and singing along to every word - if you haven't guessed, Gente D'Zona is immensely popular in Cuba. The rest of the tent enjoyed the view of all the youngsters climbing the stage to show off their moves and their bodies - musically there wasn't much to experience anyway.

Afterwards my company and me were listening with a half ear to the sugarsweet bachata pop of Monchy y Alexandra (website) while sipping a cocktail and enjoying the atmosphere. It was raining a little, but nobody seemed to bother: the crowd of 30,000 people from all over the world was here for dancing, singing along, drinking, having fun. The Antilliaanse Feesten are definitely a very laid back festival with an almost tangible positive vibe (if you go next year, be sure to stay camping to be fully immersed!).

Then came the second chance for Son de Cali (myspace). Word of mouth about yesterdays performance filled the Joker tent to capacity - no room for salsa dancing this time, but the Colombian band was in much better shape now they got to know the audience. A phenomenal drummer and percussionist gave the salsa a thriving rhythm not found on their albums - while speedy piano work and great singing improvs fired up the audience.

Headliners Wisin y Yandel had to cancel at the last minute (see previous post), but I was pleased to see Angel y Khriz (website) replace them - I like their softer, more exotic Dominican reggaeton better than Wisin y Yandel's fairly unoriginal bling-bling. But alas the show was a complete disappointment: no live instruments, both rappers just shouting over a bassline (mostly off key as well), and uninspired versions of their hit songs "Ven Bailalo" and "De Lao A Lao". The audience seemed to have fun at least - though many came for Wisin y Yandel and expected a bigger show.

Off to the Joker stage for an unexpected discovery. Djunny Claude is from the Democratic Republic of Congo, and as such no material for this latino blog ;) But in the wee hours of the Hoogstraten night, he managed to get our tired legs to jump and dance for more than an hour to his contageous soukous music. The show was crazy, disorganized but wonderfully charming - at one moment the whole band dropped on the floor, after which for some reason Djunny started a dancing contest between the Congolese dancers on stage. Probably to show us white people ways of moving our body that we will never grasp. One to watch if you're into world music!

The honors for closing off two days of passionate, border-crossing music were for Carimi (myspace) from Haiti. It was their third time in Hoogstraten, and in this period they seemed to have picked up a lot from US culture. Which might be good for the show, but I came for the lovely, fast-paced compas music from their homeland, not for r&b and hiphop. After a while they did seem to find the right balance, but while they were building an explosive party on the main stage, I was already heading back through the mud to my tent.

This edition of the Antiliaanse Feesten suffered quite a lot from the many cancellations, though many replacements did a very good job. Altogether we had a wonderful weekend of exotic music, and we'll certainly be back in 2009!

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Festival Report: Antilliaanse Feesten Day 1

Friday, August 8th

Click above for more pictures. Some pictures courtesy of tropicalidad.be (usually the sharp ones ;)). Dutch version here.

A beautiful sunset over the Blue Forest in Hoogstraten (on the border between Belgium and Holland) marked the beginning of an exotic night with lots of surprises. The knee-deep mud and the amount of cancellations couldn't ruin the atmosphere at the Antilliaanse Feesten, the biggest Caribbean music festival in Europe: the multicultural crowd was ready to party all night long with dozens of musicians from all over Latin America and the Caribbean.

And the start couldn't be better than with Rocola Bacalao (myspace), an energetic ska band from Ecuador. The nine members jumped around frantically while putting their heart and soul in their trumpets and guitars - which worked very contageous on the crowd at the Cahier Club stage. Their best songs mixed cumbia (and even merengue) with clever lyrics and an incredibly positive attitude - they just wanna have fun. Only when the guitars were cranked up, things got a little too loud and hyperactive for me.

Over at the main stage, Dominican merengue star Chichi Peralta kept us waiting for a while with a strange and totally unsuitable apocalyptic video - not the kind of intro you want for a sexy session of merengue. Chichi himself was hardly behind his percussion set, entertaining the audience while two not very talented youngsters took care of most of the singing. The usually exhilarating merengue was brought routinely, and though Chichi played the crowd quite well he didn't seem to have a lot of fun - maybe he's tired of performing? The multiple power failures didn't help either. Still, the latina girls jumping on stage to show off their dance moves were nice to watch ;)

Meanwhile, Manolito y su Trabuco (myspace) were setting the Joker stage on fire with their Cuban salsa and timba. It always strikes me how Cuban artists seem to have music and rhtyhm in their blood - with great professionalism Manolito and his band spun 15-minute long versions of their timba hits, playing the crowds with accelerations and improvisations. Lots of room for dancing, so all you could do was get carried away. Manolito ended the concert with a whirling "Loco por mi Habana", smiling from behind his piano.

Soca music might not be a focus of this blog, I had to see Machel Montano (website). The self-proclaimed king of soca (and honored with multiple awards at Trinidad & Tobago carnival over the years) has an excellent live reputation, and indeed the show was 2 straight hours of jumping and dancing. Realizing the simplicity of soca music can't carry a show on it's own, and being the pure entertainer he is, Machel brought some variation with r&b and dancehall bits mixed between his own songs. And the audience digged it: 10,000 people jumping and whirling around flags is an impressive sight!

I ended the first night with Son de Cali (myspace) from Colombia, who replaced their compatriotas Grupo Gale. They were visibly tired when they got on stage - and to be honest, starting a concert at 3:45 AM is unearthly late (thanks to accumulated delays - or let's just say, latino spirit). They deserved a second chance - saturday on the Joker stage, and I'll tell you more about that in a few days!

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Salsa: Willy Chirino

Even after all those years of listening to, searching for and blogging about latin music, the genre still has many suprises for me. I was astounded to find out that Willy Chirino, author of the fresh and bubbly salsa "Pa'Lante", is credited as one of the creators of the "Miami sound" that characterized the salsa sound of the first Cuban exiles (after the revolution in '60).

But "Pa'Lante" for some reason emanates the feelgood vibe that's so characteristic for vallenato. It might be the playful accordeon, or the positive message ("Live your dreams!") and the enthousiasm in Chirino's voice. The combination with acoustic guitars and a Polo Montañez-like violin is, on the other hand, typically Cuban. It all combines in a catchy and original pop song that definitely deserves your attention. With a discography of 28 albums and hundreds of songs, there's still much to discover about Willy Chirino...

Willy Chirino - Pa'lante mp3 buy@iTunes buy@Amazon myspace

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Salsa: Manolito, Adalberto Alvarez

It's been a while since we had some salsa from la isla - and with that I mean Cuba. Two quite important timba albums were released recently, let's have a look.


Manolito y su Trabuco are still only gaining popularity in Cuba, thanks to an impeccable live reputation. New CD La Habana Me Llama might not capture the essence of the whirling live shows on tape, the production is however crystal clear - I dare to say a salsa record from the island never sounded better. Manolito likes to use unusual instruments for his own style of timba - violins, acoustic guitars, cello, flute - and they especially come out great thanks to the production. Singer Sixto 'El Indio' Lorente puts his heart and soul in the songs, alternating between a painful love for his girl and a melancholic yearning for his capital city, La Habana. The innovative use of intrumentation makes this a quite varied album, and musically Manolito still finds the perfect balance between traditional son and the raw Afro-Cuban energy of timba.

Manolito y su Trabuco - La Habana Me Llama mp3


Adalberto Alvarez is already a bit older, so leaning more towards the son sound, but on Gozando La Habana he shows Adalberto y su Son are still one of the most relevant salsa outfits in Cuba. The horns blare furiously and the virtuous piano play is quite promintent on most of the tracks, making clear this album is made for dancing ("Si No Vas A Bailar"). Although rhytmically varied, Adalberto stays close to his trademark slower-timba-with-son-elements, leaving room for descarga-like improvisations ("Aprende Muchacho") and even a true ballad ("Hasta Aqui Llegó Este Amor").

Adalberto Alvarez - Gozando En La Habana mp3

Also, both a helpful commenter and salsa blogger Billy Bryans got me onto Roberto Liñares Brown, an ex member of Adalberto's band that now lives in Canada. After weeks of intensive internet searching and record store browsing, I still haven't managed to listen to even one song, so I have to believe them on their word that his latest record Que No Se Pierde La Esencia is "just fabulous". Read this review over at Descarga to make you mouth-water even more.

Where to get these albums? Check your local latin music store, or fly to Cuba and buy them there! ;) Here in Europe it proved to be almost impossible, so I imagine in the US you'll certainly miss out on this great music...

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Salsa: Issac Delgado, Manolito Simonet

Let's focus on what's happening in Cuban salsa at the moment..

Nobody noticed when Cuban salsero Issac Delgado fled the island and settled in Florida last year. Though he was living the life of a star, and could travel freely all over the world, he decided to defect to the US because of his artistic integrity.

In Cuba, the Ministry of Culture dictates which way things are going to go in music, literature and art. Everything is channeled, and one can't step out of those boundaries. I didn't feel free to do what I wanted because the ruling system tells you exactly where you can work and what you can do.

An honorable decision, in my opinion. More so because of the 'jinx' that seems to hang over emigrated Cuban musicians: most have seen their career torpedoed after the jump (like Manolín, a.k.a. El Médico de la Salsa).

Issac instantly throws overboard the timba he helped to boom in the early 90's (when he was singer of NG La Banda, pioneers of the fast-paced Cuban salsa rhythm). His first US album En Primera Plana leans more towards the slower Puertorican and New York salsa his new audience is used to. Here's the first single, in duet with Puertorican salsero Victor Manuelle: "La Mujer Que Mas Te Duele". I must say I liked his previous work better, although this is still an ace salsa song if you're into the more romantic stuff.

Manolito Simonet, on the other hand, is still safe and sound on the island. And making some great music in the meantime! "Comunicate" is timba the way I like it: catchy, sexy, and lots of improvisation. No wonder he won this year's Cubadisco Award for 'Best Dance Music'. His orchestra (Trabuco) even manages to make violins sound tropical and sensual, and Manolito himself has a versatile and characterful voice. I feel like travelling to Cuba again this year ;)

Manolito Simonet y su Trabuco - Comunicate mp3 buy@Amazon
Issac Delgado ft. Victor Manuelle - La Mujer Que Mas Te Duele mp3 buy@iTunes buy@Amazon

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Cubaton: Gente de Zona

I've been wanting to post this song ever since I went to Cuba last year. You can imagine how hard it is to find Cuban music sometimes. (Side note - with iTunes supporting DRM free music, things will be a lot easier and more legal soon!)

Gente de Zona is a typical cubatón band, incorporating timba elements into a straightforward reggaeton sound. Just how I like my beats: exotically flavored, smooth on the ears, and verrry contagious. "Soñé" was the perfect summer hit: sunny music with playful lyrics, perfectly suited for sensual dancing. No Cubana can resist these guys, check out how the audience is dancing in the (bad quality) video below. Makes me wanna go on holiday VERY soon!

Bonus videos: timba band Bamboleo side-stepping into reggaeton with "El Bueno Soy Yo", and La Charanga Habanera joining rapper Eddy-K on "Llegaron Los Grandes". Couldn't find the mp3s for these songs, so the videos will have to do!

Gente de Zona - Soñé mp3 buy@iTunes

Gente de Zona:

Bamboleo:

Eddy-K & Charanga Habanera:

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Bolero: Ibrahim Ferrer - Mi Sueño

No, (unfortunately) Ibrahim Ferrer has not risen from the dead, nor has he recorded an album in heaven. BUT, luckily Mr. Ferrer did (almost) make his lifetime dream come true before he passed away on August 6 of 2005: he always wanted to record a pure bolero album. With Buena Vista Social Club, Ferrer was often pushed towards playing rumba, son and guaracha, but on "Mi sueño" (My Dream) he could finally dedicate himself fully to the most romantic genre of Latin music. When he passed away, recordings for this album were stopped halfway. But Ferrer had already recorded some high quality demo's that - long live technology! - were enriched with modest arrangements afterwards.

If bolero's are often very, very corny, Ibrahim Ferrer with his magic touch turns them into true gems. Everyone knows "Quizás, Quizás" (or the English version by Nat King Cole "Perhaps, Perhaps, Perhaps"), but never was it so touching: in this version, Ferrer is accompanied by another Cuban monument, Omara Portuondo. The result of this is the most fragile interpretation of this song I have ever heard. Actually, this applies to all songs on this album: Ferrer's old, frail voice gives them such subtlety and fragility, that you'll never want to hear anybody else sing them. The romantic "Quiéreme Mucho", the jazzy "Perfidia", they're all to die for. Also, the arrangements built around Ferrer's voice (by pianist Roberto Fonseca) are so well chosen, Ibrahim Ferrer today would be proud to hear how su sueño ended up sounding.

If Rhythms del Mundo - Cuba was a cheap spin-off of Buena Vista Social Club's international succes (see our post), betraying the true soul of Carribbean music, this album is Cuban all the way. And beautiful.

¡Adiós Ibrahim!

Ibrahim Ferrer & Omara Portuondo - Quizas Quizas mp3 pre-order@Amazon

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Salsa: Alberto Alberto

Again thanks to Billy Bryans, a Cuban CD made the way to my mailbox. This time it's salsa, and it goes by the name of Alberto Alberto. Traigo de Todo is his first solo album, but he has an impressive background in several Cuban and Canadian salsa orchestras (read his bio at Mister Bryans' blog).

The title (meaning "I'm bringing it all") quite captures the album: Alberto does the singing, the composing, the improvising, and the gathering of a perfect-pitch band. Whether salsa, timba or ballad, you can hear this is a professional at work. Maybe the Grammy-winning producer Joaquin Betancourt has something to do with it, maybe it's Alberto's experience (both in legendary Cuban bands and in Toronto), but a fact is: this album sounds perfect.

Exactly that is my (only) point of criticism: it's too perfect, if you know what I mean. Especially the ballads lack a certain amount of fire and soul. If all tracks would be like "Tu Canción" - fiery, intense, energetic - this album would definitely be the best of 2007. More tips: "Concedeme un Milagrito", "Traigo de Todo" (the title track), and "Toronto". Still, Traigo de Todo is a promising album by a star in the making.

Alberto Alberto - Tu Canción mp3

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Hip Hop: Telmary - A Diario

Following my desperate call for Cuban salsa and timba CDs, music producer and fellow blogger Mister Bryans sent me a couple of Cuban CDs all the way from Canada. That deserves a BIG thank you!

The first album I'll be reviewing is by a young Cuban rapster called Telmary. A Diario is her first solo album, but she's no newbie in latin music: she's part of Interactivo, an artists collective which has created a totally new Cuban pop sound, mixing up all kinds of traditional and modern genres. It's timba rap, tumbao hip hop, jazz poetry, calle powerpop, or whatever you wanna call it. Other members of Interactivo are Descemer Bueno, founder of famous mestizo fusion band Yerba Buena, and Roberto Carcassés, Cuba's hottest producer of the moment, and winner of 3 Premios Cubadisco in 2006.

The first thing you'll notice is Telmary's distinct voice: soulful, deep, sometimes fast and agressive, sometimes soft and soothing. Bonus track "Sola" shows how strong her voice can be: even without instruments, she manages to captivate. On downbeat love songs (like "Pa'Que Vuelva") she's pure poetry, sexy poetry that is.
She can be dead serious, praying to santería gods (opening track "Rezo"), but most of the album is very joyful and positive, even the ballads. Lyrically this album is on a totally other level than 'just rap'. Street experience, love, religion, life wisdom, tradition are all processed into poetical rhymes, brought with a positive attitude and tons of conviction.

The party gets started with "Fiesta", guest rapper Athanai does a great job on the explosive chorus. I guarantee you won't get it out of your head. On "Ves" (video), producer Carcassés layers exotic breakbeats and a cool bass riff to the super fast raps of Telmary and Kumar (Interactivo member, of course). Same recipe on "Sin Control".

A Cuban album wouldn't be complete without some timba: "Qu'Equivocao" has salsa-style backing vocals and piano tunes. "You're so wrong about life, my love", she sings: any man leaving this woman must be wrong indeed. "Marilú" is an old Los Van Van song, with fist-in-the-air lyrics and a lovely bolero intermezzo.

I was pleasantly surprised to hear Ojos de Brujo again (remember their special blend of flamenco from previous posts) on "Sueño Brujo". Both strong female voices wonderfully combine on this dreamy track. (Ojos de Brujo is about to release their album Techarí in the US, we'll have a contest soon!)

The second half of the album shows Telmary's soulful, more personal side: "Espiritual Sin Egoïsmo", "Libre", "Pa'Que Vuelva".. I especially like "Espiritual Sin Egoïsmo": a jazzy trumpet makes place for a fast drum & bass climax, and Telmary delivers her always-positive message with conviction.

On a less positive note: the two English songs, "Mr. God" and "Rastafashion". Stick to Spanish, girl, you just don't sound natural rapping in English! And maybe some other songs could use more structure. But those minor faults don't bother: A Diario is one of the most exciting projects to come out of Cuba lately.

PS: Of course the album is hard to get outside of Cuba and Canada, but a lot of songs can be found online: on Telmarys MySpace, the record label website, and YouTube. Enjoy!

Telmary ft. Ojos de Brujo - Sueño Brujo mp3 buy@Amazon

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Covers: Jorge Drexler, Los Van Van, Buena Vista Social Club

Could it be coincidence? This week I bumped into two latin covers of Radiohead's timeless ballad "High & Dry", off their 1995 debut album The Bends (video). It would be hard to improve the original, but both covers are a unique new take on the song, be sure to check them out.

The first one is by Jorge Drexler, a man of sensitive pop songs. Remember his contributions to the Motorcycle Diaries soundtrack, or "Que Bueno Que Bueno" (with Jarabe de Palo), my selection for best latin pop song of 2006.
His version of "High & Dry" is stripped down to voice and acoustic guitar, the first note instantly creating an intimate atmosphere. The Spanish accent, the soft guitar arpeggios and the minimalist feel of the song remind me a lot of José Gonzales. Great cover!

The other version is off the latest Buena Vista Social Club album (though not many of the original members remain). On Rhythms Del Mundo - Cuba legendary Cuban musicians collaborate with alt-rock Anglo acts, for charity. That gives you combinations like U2 and Coco Freeman, Coldplay or Arctic Monkeys in a groovy BVSC remix (video), and Los Van Van doing a serene Radiohead. It's an interesting concept, but most of the songs sound a bit artificial. Even the last recording of the late Ibrahim Ferrer couldn't really move me.
El Lele's version of "High & Dry" (definelty the best song on the album) is smooth latin jazz, spiced up with a few guitar samples. It's not difficult to imagine this song being a traditional Cuban ballad: the lyrics are translated very well, and the delicate piano competes with El Lele's strong, emotional voice for your undivided attention.

Yo viviré, en la soledad
Yo quedaré, en la soledad

This Afro-Latin gem certainly deserves a place on your iPod!

Update: more info on Rhythms del Mundo at Mister Bryans.

Jorge Drexler - High & Dry mp3 buy@iTunes (Europe) buy@Amazon
El Lele (Los Van Van) & Buena Vista Social Club - High & Dry mp3 buy@iTunes buy@Amazon

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Lo Mejor del 2006

(Don't forget to participate in our CD giveaway contest!)

It's been a great year for latin music. Well, at least for me: maintaining this blog allowed me to discover beautiful and special music I'd otherwise not even hear of. And nothing more pleasant than sharing those tracks with you, the faithful reader ;)
You'll notice a slight orientation towards rock music in my top lists, but I tried to include all the major genres covered here. There's about an hour of listening pleasure below, so have fun, and ¡feliz año nuevo!

Albums
Rock: Gustavo Cerati - Ahi Vamos



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2006 saw some heavily anticipated rock releases (Maná, Gustavo Cerati, Enanitos Verdes) and the discovery of many new South American favorites (Los Bunkers, Los Tipitos, Babasonicos), but Cerati all beats them effortlessly with this complicated but oh so powerful album.

Pop: Los Amigos Invisibles - Superpop Venezuela



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A disappointing year for pop music, if you're not into Paulina Rubio or RBD. Los Amigos Invisibles came as a breath of fresh air, in a music industry suffocated by overproduced commercialism.

Salsa: VA - Los Cocorocos



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Salsa is back! Dozens of radio stations converted from reggaeton to salsa this year, and not without reason: new efforts (like Los Cocorocos) gave salsa an image boost, a new energy, and a second youth.

Reggaeton: Tego Calderón - The Underdog/El Subestimado



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While the general vibe of reggaeton was turning negative (big egos, dissing, sexism, the lack of new talent, and heaps of money), Tego Calderón blew away all competition with honest, positive and socially conscious songs. On the same onda: the impressive debut of Calle 13. And while "big names" Daddy Yankee, Don Omar and Hector El Father were fighting (and delivering mediocre songs), Shakira made the reggaeton beat famous again with "Hips Don't Lie".

Other: Andrés Calamaro - Tinta Roja



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The Argentinian rock legend devoted himself to sensitive tango songs this year. Calamaro effortlessly captivated the atmosphere of the forties on Tinta Roja, not an easy album, but a rewarding one. Special mention: Ojos de Brujo, for their unique blend of flamenco and hiphop.

Singles
Rock:
1) Gustavo Cerati - Crimen (original post)

2) Los Tipitos - Campanas En La Noche (original post)

3) Fobia - Dos Corazones (original post)

4) Gustavo Cerati - La Excepción (original post)

5) Los Bunkers - Llueve Sobre La Ciudad (original post)

Just didn't make it: Pereza, Enanitos Verdes, Babasonicos.

Reggaeton:
1) Calle 13 - Atrevete-te (original post)

2) Paulo FG & Roldan - Te Boté (original post)

3) VA - Noche de Entierro (Nuestro Amor) (original post)

Special mention for spreading Latino vibes throughout the world:
Shakira & Wyclef Jean - Sera Sera (Hips Don't Lie Spanish Version) (original post)


Pop: Jarabe de Palo & Jorge Drexler - Que Bueno Que Bueno (original post)

Salsa: Bamboleo - El Zorreo (original post)

Merengue: Grupo Mania & Elvis Crespo - Echate Pa'ca (original post)

Cumbia: Bonka - El Problemón (original post)

Other: Chambao - Pokito a Poko (original post)


Download all mp3s in one Zip file

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